Reflection 20/9/12

   Ms Wong split the class up into roles today, so I was working with other sound designers to share and discuss our knowledge on this particular area of filmography. I researched online and after synthesizing the information gained, I concluded that sound design is the composition and/or manipulation of audio to create a desired mood or effect. Another sound designer researched on more specific aspects of sound designing, which include creating sound effects, voice overs, foley, ADR etc. Making sure the equipment functions properly is equally important, as the sound designer is responsible for the boom mic, cables and headphones during the shooting process.
   I was a communicator today and shared the acquired knowledge effectively with the other sound designers through allocating work and a group discussion. Ms Wong gave us a piece of information that was extremely important: the overriding priority for a sound designer's work is to represent the director's vision. Sound designers must work with the director's intentions to convey the underlying theme or contribute to the realism; ultimately, the director's decision is final.
   Finally, I also watched some clips of Film Noir Classics such as D.O.A (1950 film) to get a sense of how sound design is employed. I discovered that there is often jazz music being played in nightspots, while the background music evokes suspense, horror and darkness.