En Quête de la Raison - George, Travis, Jacob, Lawrence
- Isolated and explored each element of a film to great comedic effect; cinematography, editing, plot/content.
- Breaking the 4th wall to create a warped version of their first film-Standard Case-with manipulated cinematography and effectively, a severed plot. Suggested a film within a film.
- Complete rejection of cinematic conventions led the audience to think about the basic elements of a film.
How Doth the Alligator - Angela, Allissa, Wilson, Henry
- artistic cinematic techniques (projections, superimposition, reflections)
- separation between reality and fantasy; from "outside looking in"
- choppy soundtrack enhanced thematic elements of film
- highly stylistic and conceptual, great experimental film.
Self Decadence - Erik, Max, Darien, Denis
- interesting variety of shots to portray the different sins (long, unedited shots for sloth and quick, jarring pace for wrath)
- great sound design to create a sad and spooky atmosphere
- anonymity of character was powerful and helped convey the conceptual elements of the film
- good exploration of the experimental genre and quite philosophical in the film's investigation of pride and sin
Audience's Response to My Film
- Sad, dejected tone and timbre
- A person who is trapped and lonely
- Symbols: gates of hell, materialistic obsession
